1, Suite No. But prettiness has never been Ek’s focus… and the beauty of his Juliet and Romeo – note the twist in the title – lies elsewhere. Up Next. Born April 18, 1945, in Malmö, Sweden, Mats Ek is the son of renowned choreographer Birgit Culberg and actor Anders Ek. Mixing child-like shyness with willfulness and passion, Mariko Kida delivered a convincing portrayal of Juliet; her love for Anthony Lomuljo’s Romeo felt palpable and real. The harsh light from above, dispersed by thick strobes, suggests a no-trespassing-zone. Royal Swedish Ballet in Mats Ek’s Juliet and Romeo.© Dave Morgan. Their growing affection visibly reverberated through their bodies and their dancing, acquired the all-consuming, burning urgency that the love between Romeo and Juliet is all about. The stage is shrouded in darkness and covered with thick smoke. In this ground breaking piece, Mariko clearly defined herself , demonstrating her artistry and strong dramatic Tap to unmute. (Click image for larger version) Royal Swedish Ballet Juliet & Romeo London, Sadler’s Wells 25 September 2014 Gallery of (first cast) pictures by About Romeo and Juliet becomes Juliet & Romeo when world-renowned choreographer Mats Ek presents his full-length work to Tchaikovsky's music (excerpts from various of Tchaikovsky´s well-known compositions), with Watch trailers, read customer and critic reviews and buy Juliet & Romeo: Ballet by Mats Ek for $12.99. The musical score Ek chose for Juliet and Romeo holds as many surprises as his unique interpretation: rather than Prokofiev’s score—which the choreographer considers “a magnificent example of its genre” yet too narrative-driven for his purposes—Ek uses selections from Tchaikovsky’s oeuvre adapted and arranged by Anders Högstedt. But no — not when master choreographer Mats Ek is in charge. Juliet & Romeo, photo by Gert Weigelt An exciting contemporary take on the heartbreak and passion of the most famous of all lovers comes to Sadler’s Wells by controversial choreographer Mats Ek: Juliet and Romeo. An exciting blend of playfulness, awkwardness and abandon, the key duets (in the balcony and the bedroom scenes) were performed with verve and skill by the leads, but the mutual chemistry just wasn’t there and the emotional effect of their dancing felt rather flat. Post was not sent - check your email addresses! Mats Ek’s Juliet and Romeo for the Royal Swedish Ballet, at The Kennedy Center for only four more shows, is a bold retelling of Shakespeare’s familiar tale of the star-crossed lovers. Ek dispenses with the iconic Prokofiev score to which most traditional productions of the ballet are set; instead, he compiles a collage of Tchaikovsky’s symphonic pieces, including his Piano Concerto No. Washington, Kennedy Center Opera House DanceTabs © 2021. Juliet & Romeo, Venue: Royal Swedish Opera House (Stockholm, Sweden), Production: A co-production of Bernhard Fleischer Moving Images with SVT and C Major Entertainment GmbH in association with Operan. At a climactic moment, Romeo (Anthony Lomuljo) swings Juliet upside down on his back, so that he is crowned by the inverted V of her legs. Mats Ek’s new full-length Juliet & Romeo for the Royal Swedish Ballet opened in May 2013 as part of Royal Swedish Ballet’s 240-year celebrations that year, and there it had a good reception. Do not steal our words or pictures, please. In his re-imagining of Shakespeare’s classic, Ek opted to forgo Friar Laurence and the secret wedding ceremony, as well as the sleeping potion, the poison and the dagger. The choreography for the masses feels hectic and hard-edged; yet there are no swordfights here and it’s virtually impossible to distinguish between the two warring clans – the Montagues and Capulets. In this staging, the famous love story, with its devastating finale, has been severely truncated. In just a few clicks, you can be one of them. A new film follows Mats Ek's process as he creates Romeo and Juliet on the Royal Swedish Ballet! Available to rent on Vimeo On Demand ($4.99 for a 48-hour time period), the film shows viewers how he seams steps together, problem-solves puzzles in the movement and gets his cast to display the subtle emotions he’s after. Since the 1970s, Swedish choreographer Mats Ek has brought his instantly recognizable brand of modern expressionism, with its deep pliés and crude theatricality, to ballet. Now Mats Ek returns once more to the Paris Opera with his Carmen , never before performed here, and two new works. The Swedish Royal Ballet also came here to perform Romeo and Juliet in 2013. Ana Laguna made a terrific turn as Juliet’s wise, tender and fun-loving nurse; Arsen Mehrabyan gave a chilling account of Juliet’s violent and despotic father; and Nadja Sellrup was superb as his scheming, cheating wife. Romeo’s demise, too, looks startling and inexplicable rather than tragic. Mats Ek has pared down the story to a minimum and seems to concentrate on the Juliet/Romeo relationship. The production nevertheless intrigues the eye and is fueled by the exceptional dancing of the company’s talented and dedicated dancers. Rejecting … This version of Shakespeare’s tragedy is cold and dark, literally quite dark thanks to Linus Fellbom’s lighting. Commissioned in 2013 for the Royal Swedish Ballet, the piece is set in an urban, or even industrial, but certainly glaucous place, where smoke, shadows, and the not so hidden corners of ever-shifting barricades must make do for a set. Juliet & Romeo, Mats Ek / Pyotr Ilyich Tchaikovsky / Anders Högstedt, She has written for Dance Magazine, Pointe and Fjord Review, among other publications. Told from the perspective of a wide-eyed and defiant Juliet, who falls for sentimental dreamer Romeo, the rest of Ek's reimagined world is strewn with brutal conflict among Juliet's brooding family and Romeo's street-smart comrades. The Swedish choreographer interprets Romeo and Juliet as less the story of a rivalry between two warring families (the Montagues and the Capulets) and more that of a forced marriage—a perspective that informs his decision to reverse the protagonists’ names in the title. Share. Mats Ek has always taken a radical line with the ballet repertory, and it’s clear from the title that his new Juliet and Romeo comes with maverick intent. The world’s premier resource for classical music programming: stunning live events from the world’s most prestigious halls, plus thousands of concerts, operas, ballets, and more in our VOD catalogue! Mats Ek has pared down the story to a minimum and seems to concentrate on the Juliet/Romeo relationship. Mats Ek’s ballet Juliet and Romeo opens with a startling sight: a young man emerges from a dark opening situated in the middle of the stage, quickly climbs over a tall metal wall (or is it a barricade?) Choreographer Mats Ek is known for his radical transformation of the traditional ballet repertory. With a history that stretches back to 1773, you’d expect the esteemed Royal Swedish Ballet to offer a “Romeo and Juliet” full of swordplay and courtly gowns. After Giselle, Sleeping Beauty, and Carmen, Mats Ek put together yet another groundbreaking production with his 2013 Stockholm Opera version of Shakespeare’s mythic drama, part of the opera company’s celebrations of its 240th anniversary. Bold, muscular, and covered with tattoos, he was a pure force of rowdiness and hilarious mischief. Claudia Bauer | Deborah Weiss | Foteini Christofilopoulou | Graham Watts | Heather Desaulniers | Jann Parry | Josephine Leask | Lauren Gallagher | Lynette Halewood | Margaret Willis | Marina Harss | Oksana Khadarina | Sara Veale | Siobhan Murphy | Susanna Sloat | Valerie Lawson | Bruce Marriott (Ed). 3, Fifth Symphony, Capriccio Italien and Manfred Symphony. www.kennedy-center.org. Royal Swedish Ballet Another problem with Juliet and Romeo is its soundtrack. Dressed in a puffy jacket and holding his shoulders slouched as if in perpetual apology, Hokuto Kodama brought out the placid and gentle side of Benvolio, the exact opposite of Mercutio’s untamed and profane nature. Julia and Romeo is Mats Ek's first major full-length works since Sleeping Beauty made for the Hamburg Ballet in 1996. The unassuming Lomuljo, however, was too bland and emotionally frozen to leave a memorable impression as a young man deeply in love. Mariko Kida as Juliet and Anthony Lomuljo as Romeo in the Royal Swedish Ballet’s production of Mats Ek's “Juliet and Romeo.” (Gert Weigelt) Ek gives her a … ★★★✰✰ On opening night, the towering Jérôme Marchand, danced Mercutio and single-handedly pocketed every scene he was in. In 2013, Ek, who is widely admired and recognized in his native Sweden, was commissioned to create a new version of Romeo and Juliet to commemorate the Royal Swedish Ballet’s 240th anniversary. Juliet and Romeo Ek’s Juliet and Romeo follows its fragile young heroine as love gives her the strength to go against her family and the patriarchy. A new film follows Mats Ek's process as he creates Romeo and Juliet on the Royal Swedish Ballet! >> Complete list of DanceTabs Contributors and more info. www.operan.se On the following night, Ema Yuasa and Anton Valdbauer as title characters gave an inspiring performance, full of passionate abandon and aching intimacy. Over the years, he has put his own interpretive stamp on 19th century ballet classics such as Giselle, Swan Lake and Sleeping Beauty. Mats Ek's Juliet & Romeo, music by Tchaikovsky, Mariko Kida (Juliet), Anthony Lomulgo (Romeo), Arsen Mehrabyan (Father)... — Royal Swedish Ballet, © MUSEEC SAS – 2021 with the support of Creative Europe - MEDIA Programme of the European Union, Mats Ek / Pyotr Ilyich Tchaikovsky / Anders Högstedt, His brief death scene, however, looked like an unfortunate accident and felt anticlimactic. Watch later. Set to a score by Tchaikovsky, this is a Renaissance-inspired, modern urban set love story. Thank you. 316 St. John Street, Clerkenwell, London EC1V | 1 minute from Royal Swedish Ballet: Mats Ek's Juliet & Romeo Influenced by the diverse Italian regions as well as hints from Spanish cooking, Adha Chef brings sumptuous, authentic flavours to Islington's popular Quinto Quarto. In the world premiere of Mats Ek’s “Julia och Romeo” in 2013, Mariko danced the title role of Julia to critical acclaim. Available to rent on Vimeo On Demand ($4.99 for a 48-hour time period), the film shows viewers how he seams steps together, problem-solves puzzles in the movement and gets his cast to display the subtle emotions he’s after. Mats Ek’s Juliet and Romeo, which had its North American premiere at the Kennedy Center, left me bereft, not because I was moved by the deaths of the young lovers, but because I wasn’t moved at all. Music by Pyotr Tchaikovsky, in the selection of Mats Ek… In June, the Royal Swedish Ballet traveled to Washington, DC to give Ek’s dance adaptation of Shakespeare’s play its North American premier at the Kennedy Center Opera House. In fact, the ensemble scenes depicting street unrest are so highly stylized, even sterilized, that the audience gets no sense of violence, imminent danger, or looming tragedy. Daria Ivanova as Rosalinda and Anthony Lomuljo as Romeo in Mats Ek’s Julia & Romeo. Jan-Erik Wikström, portraying this character steps into giant’s shoes in a role created by Niklas Ek, a performer of immense presence. that dominates the space, and disappears behind it. His Juliet and Romeo is none the less as round and as polished as the play itself, and Royal Swedish Ballet’s performance is assured, meaningful and foregrounding. This video is reserved for our subscribers. Mats Ek’s Juliet and Romeo at The Kennedy Center (review) June 3, 2016 by Robert Bettman The audience in the Opera House at the Kennedy Center last night was buzzing for the North American Premiere of Juliet and Romeo by the choreographer Mats Ek, performed by … Mats Ek’s Romeo and Juliet Ana’s advice The dance world is fortunate that Ana continues to give, to share her experience and to pass on and to create new works, “in a different way, of course, than the young people can and that’s what is good because it gives that diversity of a human being, what we all have in different places of our life. To celebrate its 240th anniversary, Johannes Öhman, the director of the Royal Swedish Ballet has commissioned renowned choreographer Mats Ek to create a full length adaptation of a timeless love story for 32 of the company’s dancers. Photo © Gert Weigelt This society is in meltdown and legitimate authority, in the voice of the Prince, rails in vain. Many characters are not included and such events which have huge importance in the Shakespeare such as the death of Mercutio are included cursorily. But some of his scenes felt so over-extended that one could think that Mercutio was the centre of proceedings. (Interestingly, the choreographer didn’t include any music from Tchaikovsky’s overture-fantasy Romeo and Juliet.) This commission celebrates the company's 240th anniversary. Jean-Christophe Maillot's Romeo and Juliet, music by Prokofiev, Romeo and Juliet by Nureyev, music by Prokofiev. Oksana Khadarina is a Washington, DC–based dance writer and a long-time contributor to DanceTabs. The charismatic Valdbauer was rapt and earnest in his portrayal of Romeo. that dominates the space, and disappears behind it. If playback doesn't begin shortly, try restarting your device. The final score is performed by the Orchestre Colonne under the direction of Alexander Polianichko. A sharp eyed look at Dance & Ballet Across the World, Only Selective News Here – much more on Twitter, Rambert – Rooms (Jo Strømgren premiere) – Streamed from London, San Francisco Ballet – Jewels: Emeralds, Rubies, Diamonds – San Francisco, Interview – Diana Vishneva on her new ‘Imprint in Motion’ filmed at Moscow’s Pushkin Museum, Ayodele Casel – Chasing Magic – streamed from New York, Complete list of DanceTabs Contributors and more info, Royal Swedish Ballet – Juliet & Romeo – London, 24th International Ballet Festival of Havana, 2014, Natalia Makarova Honoured at The 35th Annual Kennedy Center Honours, Washington Ballet – Romeo and Juliet – Washington, 5 Questions to Joseph Toonga about his new Just Us Hip Hop Apprentice Co. and more…. Thank you for your understanding. Musically, dramatically and choreographically, Mats Ek has stripped the story of elements that others have, to a greater or lesser effect rejoiced in layering on. Mats Ek’s version honors its Renaissance source while tying it directly to our current world. is in charge. The city folks, dressed in nearly identical dark garb – simple dresses for the women, plain jerseys and pants for the men – are always on the go: running, squatting, lunging or collectively moving the metal walls that, over the course of the action, convert the space into a plaza, a balcony, a ballroom and eventually a graveyard. It seems as if she suddenly collapses and expires in the middle of a family quarrel. After studying dance and theatre, he began his career as a director at Stockholm's Marionette Theatre and Royal Dramatic Theatre. This is Ek’s first full-length piece in 17 years – and UK premiere - and he presents it as an urban tragedy. The rest of the cast was excellent, too, with particular distinction going to Andrey Leonovitch for his heart-stopping rendition of Juliet’s tyrannical father and to Clyde Emmanuel Archer for his vividly touching turn as Mercutio. Certain chapters are not available. The venue is hardly a sunny Verona. Here, Juliet is killed by her own father, in a fit of rage, as punishment for her disobedience and refusal to marry a man she didn’t love; but even her death scene comes across as muted and dramatically impotent. This is one of the problems with this provocative, entertaining, but ultimately uneven production: it fails to fully realize its dramatic purpose, rushing through (or entirely omitting) the pivotal moments of the story. A form of dance situated between music and literature 1, 2 June 2016 All here is copyright DanceTabs and the author concerned. Yuasa delivered the role of Juliet with a fantastic sense of theatre, undergoing a believable and poignant transformation from an innocent child to a woman in love to a spirited and unwavering rebel. As the opening scene implies, Ek unfolds Shakespeare’s tale in modern times in an unspecified urban community – a gloomy place where the streets are patrolled by ominous-looking guards riding Segways. The above list is composed of those whose work we feature regularly and have generally contributed in the last few months. This is part of the Northern Light Season at Sadler's Wells, celebrating Nordic The musical score Ek chose for Juliet and Romeo holds as many surprises as his unique interpretation: rather than Prokofiev’s score—which the choreographer considers “a magnificent example of its genre” yet too narrative-driven Review of Royal Swedish Ballet Mats Ek’s Juliet and Romeo Sadler’s Wells September 25, 2014 Last updated: May 9, 2019 12:19 am By Terry Eastham No, there isn’t a typo in the show’s title. Shopping. This musical mishmash lacks the dramatic power of the Prokofiev music and only rarely provides an effective counterpoint to the action onstage. In the case of Mats Ek's Juliet & Romeo, which Royal Swedish Ballet presented last week at Sadler's Wells, the switched-up name is just the first of many nuances that make a poignant case for this new version of an old classic. Info. Sorry, your blog cannot share posts by email. This was a truly plum role and Marchand ran away with it. Mats Ek’s ballet Juliet and Romeo opens with a startling sight: a young man emerges from a dark opening situated in the middle of the stage, quickly climbs over a tall metal wall (or is it a barricade?) This video is reserved for our subscribers. During the company’s five-performance run, I saw the performances of both casts. Julia & Romeo by Mats Ek - Royal Swedish Ballet. They bring with them choreographer Mats Ek's adaptation of 'Romeo and Juliet' for 32 dancers. Become one in just a few clicks! Copy link. 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