performance at London’s Blitz club spearheading It was in effect the first Warehouse Party Brand that would morph eventually into the ubiquitous rave format. It was bloody chaos. Never wore it again though he got some money off the video people to get it cleaned. . One of Bowie’s long-standing collaborators, Natasha Korniloff, designed his pierrot costume for the video and Gretchen Fenston his hat, while he gave Richard Sharah a free hand to design the make-up. The story of the Blitz Club and the New Romantics features 'When We Were Young', my cowrite with Rusty Egan as the lead track on the 'Blitzed' EP, also featuring Boy George, and is also used as the soundtrack to the documentary. He was born in London, England. When they got back to London, they all went clubbing at Hell, “He said it was a great scene and asked me if I would like to appear in the video for his next single, Ashes To Ashes. The video was the most expensive music video made to that date, costing £35,000 (about £151,000 in today’s money). I woke the next day thinking I’d dreamt it and you know I guarded that communal pay phone on the landing like a rottweiler until she did: be outside the Hilton the next morning, Thursday, she said, at some ungodly hour, fully dressed and made up the same way I had been at the Blitz, and to get the coach to a secret location. He was softly spoken, charming and very cool. Spandau Ballet fitted the club. Steve Strange was born on May 28, 1959 in Porthcawl, South Wales, UK as Steven John Harrington. The only band that could play in the Blitz. From the Kinolibrary archive film collections. When the documentary The New Romantics: A Fine Romance was made in 2001, these talking heads were of course 20 years younger than they are today and full of fizz.. The audience was joined by various journalists, photographers and media people, including Radio 1 DJ and TV presenter Peter Powell, numerous record company execs including impresario Bryan Morrison. The whole dreamscape was enhanced with effects from the then novel Quantel Paintbox to create a visual enigma, echoing a distant past, yet suggesting “nostalgia for the future” in Bowie’s own words. We respect copyright, and are happy to give credit to a photographer’s work and try to seek permission first. Chris was not a UK resident at the time and had a limited time in the country each year. After a year in metamorphosis and following a successful preview show two weeks before at Halligan’s rehearsal studios, when they were named by journalist and broadcaster to be, Robert Elms, Spandau Ballet emerged onto the stage and into the world at the Blitz on the occasion of Steve Strange and Rusty Egan’s Christmas party in 1980 [1979 surely – Ed]. Posters and gold and platinum discs of Bob Marley, Roxy Music, Stevie Winwood and Grace Jones greeted us. All would soon be finding fame in the fashion business, with Elise becoming one of Premier’s leading models. ➢ Tune into Portobello Radio for Sullivan & Elms This Morning is promoting a programme about The Blitz Club. Since their first performance as Spandau Ballet at the Blitz five months earlier, the band’s career trajectory had been such that it seemed to have been fired out of some powerful pop culture cannon. Steve Strange, Soundtrack: Laurence Anyways. However BBC Manchester fell for some faulty memories that had gelled into mythological “truths” to create several laugh-out-loud howlers in the voice-over script as the price of believing odd Blitz Kid fantasies. I was invited as was Darla up to the table where David and Coco were sitting and offered a glass of champagne. I think the band realised collectively it was now or never and they seized the moment and started to play confidently and with a bit of swagger. ❏ On the 5th of December 1979, Spandau Ballet was born. ❏ Co-directed by Bowie and David Mallet, location scenes for Ashes to Ashes were filmed on 3 July 1980 at Pett Level, a stony beach on marshlands about six miles east of Hastings in East Sussex, known to Mallet since he was a boy. Stephen Linard: sporting a wooden cross by Dinny Hall and the rabbinical outfit that caught Bowie’s eye in July 1980, Stephen Linard supplies his own footnote to that great Tuesday at the Blitz. You can unsubscribe at any time. At least we can enjoy the many gnomic quips tossed out by the stars of 1980’s clubworld during the 48-minutes of A Fine Romance…, St Martin’s designer Fiona Dealey on the New Romantic credo: “Dressing for the Blitz was REAL THEATRE. © Steve Dagger Watch London Can Take It!, a film documenting the spirit of Londoners during the Blitz London Can Take It!, a documentary tribute to the endurance of Londoners during the Blitz, narrated by American war correspondent Quentin Reynolds and sponsored by the British Ministry of … Blitz Kids, Soul Boys and Rockabillies. He was charming and smart. “Which record label are they signed to?” David himself was charming and asked if I would join him upstairs for a drink when I had finished on the door. Quite a sight for the superstar sat behind me! But it was an impossibly cool crowd. UK. Anyway, I was on a warning at St Martin’s over attendance, so I had to say No.”, Steve Strange has the last word: “It seemed like a very long day for a three-minute film. We just said: WHAT’S THAT ABOUT?”, Happy even to work “New Romantic” into their lyrics: frilly Duran Duran’s debut on Top of the Pops in March 1981, “Boy” George O’Dowd: “Duran Duran brought the FRILLY SHIRT through to the masses.”, Gary Kemp on shooting Spandau Ballet’s video for Chant No 1 at the Beat Route club in 1981: “That was our LAST HOORAH – Spandau being part of this movement.”, Spandau manager Steve Dagger on the early 80s: “There was this COLOURFUL BANG which revitalised pop culture and fashion and London as a swinging city.”, Robert Elms on the clubbing revolution initiated by the Blitz Kids: “It introduced one-off nightclubs, warehouse parties, the deejay as the centre of attention, clubs where they tell you you can’t come in UNLESS YOU LOOK RIGHT. The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page, ✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. Then we were up and down that field with the bulldozer and every time we had to do a take it had to back up and the field got muddier. He had the demeanour of an army officer. Before the phrase New Romantics had been invented: Blitz Kids queue for Spandau Ballet’s second pivotal concert at the Scala Cinema in May 1980. Set in video. The story of those sensational early days is extracted here with Steve’s permission from the full version on, ➢ A selective timeline for the unprecedented rise and rise, On the 40th anniversary of Spandau Ballet’s debut, ➢ Previously… 1980, The Invisible Hand of Shapersofthe80s, ✱ Deejay legend Robbie Vincent returns to, ◆ Who was who in Spandau’s break-out year of 1980? It was a potent mix which we could have only dreamed of six months earlier before our Spandau Ballet rebirth and was entirely consistent with our title of “The Next Big Thing” and the hottest unsigned band in the country and the new decade. Boy George, Rusty Egan and Marilyn all appeared in the film discussing their time at the club and about the early 1980s-era, whilst La Roux was interviewed about the cultural effects of the New Romantic movement on younger performers like herself. Steve dropped off his very muddy wedding dress and Hell was a rowdier night than usual. the post-punk new wave, the band’s manager The preview show had gone incredibly well, so a handful of our friends and key faces on the scene had seen the band already, liked them and spread the word. On Bowie’s death his lifelong friend George Underwood called him an emotional, passionate person: “He had created this fierce storm, but he was the only one in it.” Take your pick. Elise Brazier personified a ballerina in a party frock plus tantaliser in her hair. We were soon to be distracted by other suitors and opportunities. The decade seemed to be opening up before us. However BBC Manchester fell for some faulty memories that had gelled into … Among them, Lee Sheldrick, the gifted eminence gris behind so many other students’ creations, had also shaved his head bald to become the embodiment of Nosferatu the Vampyre. He became famous as the leader of the new wave synth-pop group … She says: “In a wonderful twist of fate, Steve was resplendent in my black wedding outfit that night and was chosen straight away. After looking around, it will be easy to see that we support a large number of computer war games that cover a wide range of historical time frames. Wanting something to get you thirsty for the avant garde? Ex-Blitz Kids give verdicts on the TV play about Boy George, Worried About the Boy in 2010, Posted in anniversary, BBC, Blitz Kids, interviews, London, New Romantics, Pop music, Reviews, Swinging 80s, TV documentary, Youth culture, Tagged A Fine Romance, Blitz club, Duran Duran, Rusty Egan, Spandau Ballet, Steve Strange. Sign in to manage your newsletter preferences. Welcome to "The Blitz Wargaming Club". We hear Martin Kemp voicing the sequence which zooms in on him at 23 seconds. Years later, Bowie told author Nicholas Pegg that with Ashes to Ashes he was “wrapping up the Seventies really” for himself, which “seemed a good enough epitaph”. In recognition of our broad international membership, we discourage the discussion of world politics and current events, as subjects of this nature can be disruptive to our hobby. When I originally wrote about Major Tom I thought I knew all about the great American dream and where it started and where it should stop. Book now, ◆ Who was who in Spandau’s break-out year of 1980? Darla and I were both dressed in a similar ecclesiastic style, Darla in her own black outfit with white collar, and we were also asked to take part for what at that time was a decent sum of money for penniless, decadent students. Now. He wanted to sign them too. At that first Blitz show in December 1979, Chris Blackwell, legendary founder and owner of Island Records – the world’s coolest record company – had approached me offering to sign the band “on the spot”. There were photographers recording the scene. ❏ You won’t find much authentic filmed footage inside the Blitz Club because so little exists and many posts claiming to show the Blitz at YouTube do not. It was a bold effective tactic. The Blitz is a wargaming community with a family atmosphere in which we all share the great passion of playing our favorite computer war games. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Steve Strange and Rusty Eganco-hosted these exclusive nights without giving them a name, according to Strange's autobiography, and publicised them solely by word of mouth. The 21-year-old Steve Strange found himself requesting extra security to stem what the soon-to-become pop singer Andy Polaris also records in his diary as a “minor riot”. – Ed] into the headlines and its ethos into popular culture and serve as the template to the 80s. London was a grey, ugly place during the “Winter of Discontent” so the club was, says Robert Elms, like “a firework display: explosive and exciting”. Shortly afterward Chis left town for Paris or Jamaica and although we kept in contact and he maintained interest, we didn’t sign to them. It had a stand-up collar that was caked in his makeup. Hammer Horror met Rank starlet. Before the show, the crowd, previously not seen en-masse outside of a nightclub, spilled over the pavement clutching drinks from the nearby pub and eying each other up as they arrived, each dressed in their own highly personalised version of the heightened street fashion/plundering of the history of style/Fritz Lang vision of the future that was going to be dubbed “New Romantic” or “Blitz Kids”. Their first shows were always mounted in secrecy and in novel venues such as the Blitz Club in Covent Garden, which was rapidly becoming the focus for the hippest young people in London who had yet to become known as the New Romantics. Their jaws dropped. He also asked me if I could suggest a make-up artist for him, and I recommended Richard Sharah, the man who did my make-up. Spandau at the Scala cinema, May 1980: bass-player Martin Kemp surveys the wild dancing by the audience of Blitz Kids captured for TV by 20th Century Box. Blitz Kids New Romantics at The Blitz Club Covent Garden, London, England 1980. . on Wednesday and Friday 3+5 June at 7pm, Posted in discussion, History, interviews, London, nightlife, Radio, Swinging 80s, Youth culture, Tagged Blitz club, Blooms, Chris Sullivan, London Made Us, Robert Elms, Soho, Wag club, warehouse parties, A picture from the archive: sharply styled Spandau Ballet in 1980 playing the dramatically lit Scala cinema concert that eventually brought the record companies scrambling to sign them. Writer/artist Chris Sullivan is nominally a Welshman who revealed roots that led to a grandfather who’d been a bouncer at the capital’s Windmill Theatre, while BBC London broadcaster Robert Elms is a paid-up Cockney in all but the Bow Bells bit, with a mum who was a clippie on the buses at age 15. The book continues: “Word soon spread like wildfire that David Bowie was there. Halfway through the set I was feeling quietly confident and was standing by the mixing desk next to the sound engineer when I became aware of a man standing next to me. We used to get our make-up DONE FOR NOTHING down at Selfridges at half-past five and the girls there would do a makeover on you.”, Steve Strange on the term New Romantics: “I’d rather call it THE CULT WITH NO NAME, because the papers can never put one finger on it.”, Rusty Egan on gender confusion at the Blitz: “By the end of the night you’d hope to go home with someone – same sex, opposite sex, NO SEX AT ALL, you were never quite sure.”, Spandau manager Steve Dagger on their music: “Over the period 78-79 in the rehearsal studio the band gradually changed from a rock-pop sound to a modern SYNTHESISED TYPE DANCE SOUND.”, Duran’s Nick Rhodes on first seeing Spandau Ballet live in Birmingham in 1980: “We saw them play at the Botanical Gardens and when we left we were smiling. Lucy Worsley sets out to uncover the truth about the 'Blitz spirit' in WWII When people understood female and Male AND gender bending. He spoke to me. He was asked to select people he felt could be right. I felt unbelievably relaxed and comfortable, empowered, and the band very confident, entitled energised. Everyone in the Blitz that night was hugely complimentary and positive about them. I could not wait to go backstage into the tiny dressing room to talk to them. The poor guy was disturbed by it all, to say the least. At the Easter Pageant, Princess Julia (centre ) handing out Cadburys Creme chocolate Easter eggs to the crowd. Another irritation, amid much classic vintage footage, was the repeated montaging of film footage irrelevant to the Blitz club-night run by gender-bending Steve Strange and electro-deejay Rusty Egan, mainly because no more than about 11 minutes of live footage inside the Tuesday-night Blitz exist, and only one of which was used in this doc. An open discussion forum, not limited by community specific topics. Even if you hadn’t seen the band or even couldn’t get in, everyone knew that Spandau Ballet had played there. Thanks! I was delighted when I was handed my wages of £50 by a member of the production team. The drama of waves splashing against a towering cliff excited him. Crucially, the Blitz lay between two art colleges (St … Music was normally provided by Rusty Egan’s DJing, an extraordinary montage of epic electronica which seemed to give a tantalizing glimpse of a future we were all going to take part in. at 11am on Sunday 31 May, and again for a repeat We owned the space, we had claimed it. Prompted by the waves the band had been making, this – only their fifth live concert – was recorded by London Weekend Television and provided lift-off for the band’s ambitions. It all felt a little strange but somehow like it was all supposed to happen like this. Don Letts guests, Blitz club doc, Sananda Maitreya, Best Of Enemies Special guest and all-purpose film-directing dread about town Don Letts joins us to talk about his new book There And Black Again plus untold tales from 40 years spanning Bob Marley, The Clash and B.A.D. These were Bowie’s offspring, individualists who had taken him at his word to be “heroes just for one day”, living amusing lives, creating disposable identities, and wearing looks not uniforms. Get the free guide written by Paul Lewis. Although there was a vigorous discussion about the wisdom of this move with the band and myself later that evening, so powerful was our newly acquired self-confidence everyone soon settled down. Check out this documentary about The Blitz Kids. “We were finally told we had all ‘done well’ and set off in the coach straight from the shoot to Hell [Strange’s Thursday club-night with a sacrilegious flavour] – well, home first to get freshened up. All soon to merge together into “Club Culture”. The combined word of mouth powers of Chris Sullivan, Graham Ball, Robert Elms and Graham Smith reached every hip club person in London. To celebrate the 40th anniversary of Spandau Ballet’s performance at the trendy Scala cinema on 13 May 1980, their manager Steve Dagger recalls how the event propelled his unsigned band towards the charts and to stardom. Strange, singer with Visage and former manager of the Blitz club in London, has died of a heart attack in Egypt at the age of 55 . ➢ Previously at Shapers of the 80s: The year the Blitz Kids took their first steps into the headlines, Ashes To Ashes video 1980: Bowie’s pierrot getting out of his depth, ➢ Previously at Shapers of the 80s: The Blitz Kids WATN? up to the present day. But Spandau Ballet’s two performances there and subsequent meteoric rise to success did much to drive this tiny club and its spectacular cliental [clientele? All crowned by Stephen Jones’s veiled head-dress. Blitz Club 1980s Covent Garden London. The black-and-white stills collaged into the segment are Shapersofthe80s originals, and the closing seconds are from LWT’s 20th-Century Box. With this, The Blitz Club had now become a mainstream phenomenon as the BBC’s Nationwide programme sent an investigative team in, signalling a changing of the guard in popular culture with parallel scenes going on at The Rum Runner in Birmingham, The Warehouse in Leeds and Crocs in Rayleigh from which DURAN DURAN, SOFT CELL and DEPECHE MODE were to respectively … It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Bowie’s chorus near Hastings, July 1980: Polaroid snapped by a crew member on the beach during filming of Ashes to Ashes with Blitz Kids Steve Strange, Darla-Jane Gilroy, Judi Frankland and Elise Brazier keeping warm in a mackintosh between takes. Steve Strange, Marilyn, Boy George, all of the 80's heroes that now … Richard Burgess of Landscape (Spandau Ballet producer to be), Midge Ure of Ultravox and Billy Idol, Steve Severin of Siouxsie and the Banshees and Marco Pirroni of Adam & The Ants. Spandau manager Steve Dagger on the road with the band in 1980. It was only around for 18 months, but the Blitz Club had a massive impact in the late 1970s. Memories of Tuesday 1 July vary. He is particularly known for being a prominent member of the Punk sub-cultural and New Romantic pop … (Niall McInerney’s slides scanned by Shapersofthe80s), St Martin’s Alternative Fashion Show in May 1980: Stephen Linard’s “Neon Gothic” collection modelled by his most stylish friends, Myra, George O’Dowd and Michele Clapton, with Lee Sheldrick in white as a space-age pope. Uncrowned Princes of pop culture all of a sudden. He died on February 12, 2015 in Sharm El Sheikh International Hospital, Sharm el-Sheikh, South Sinai, Egypt. 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