She starts rocking back and forth from her feet, maintaining an eerie stillness through her chest and shoulders. Her choreography augured a new movement style, a Matrix-esque sense of physical wonder. Expand. This double performance – of Emergence by Crystal Pite and Speak for Yourself by Sol León/Paul Lightfoot – features two exceptionally thrilling choreographies. ... (Pite danced with Forsythe’s Ballett Frankfurt before moving into choreography and launching her company, Kidd Pivot.) In the Making is an immersive journey inside the creative process. A truly dazzling show. DanceHouse presents Paris Opera Ballet performing Crystal Pite's choreography in Body and Soul, February 17 to 23. by Steve Newton on January 8th, 2021 at 4:12 PM. Ballett Zürich will be dancing a piece by Crystal Pite for the first time. In 2013, Pite was appointed Associate Artist at Sadler’s Wells, London. There is another strand to Pite’s work, that on the surface seems to distance itself from personal connection. Grant Harder. Predatory … Emergence by Crystal Pite at the Edinburgh festival in 2016. an evening of dance set to the music of Thomas Adès. Expand. Lost Action. Lost Action - Crystal Pite, 2009. How many ways can those bodies intertwine? Pite’s choreographic debut was in 1990, at Ballet British Columbia. If you, guys, feel like reciting any poem of Taras Shevchenko in English, please do. Choreography Crystal Pite (2006) Music Owen Belton. That doesn’t mean serving up the obvious; she likes a “colossal, impossible subject”. “Crystal Pite's choreography is as playful as it is threatening and as inventive as it is exquisitely choreographed." Pite is a 42-year-old Canadian who has been creating dances for more than 20 years. Part of the Pathé Live cinema series of contemporary dance, developed, produced and directed by 3 minutes West. With fluidity, generosity and a rare intensity, Crystal Pite’s Body and Soul explores the theme of duality. Share . It is a priority for CBC to create a website that is accessible to all Canadians including people with visual, hearing, motor and cognitive challenges. Crystal Pite. National Ballet of Canada artistic director Karen Kain commissioned Pite to create an original work for the National Ballet’s 2008/09 season as part of Innovation, a program of … Pite’s professional choreographic debut was in 1990, at Ballet British Columbia. The performances in this programme have taken place in season 2016-2017. The ultimate conversation is with the audience. Creator of more than 40 works in just over two decades, she is in huge demand internationally; and the most prestigious dance companies in the world, including Britain’s Royal Ballet and the Paris Opera Ballet, have recently joined the growing procession of those commissioning her work. I was able to work out group ensembles here in Vancouver, with students from the Arts Umbrella, which is a non-profit centre for youth arts education. This mass movement seems like a simple idea, bodies moving in unison and canon, but it is deceptively difficult to achieve. Nederlands Dans Theater 1, review: Crystal Pite's choreography dazzles A horrifying and often hilarious look at backroom politics impresses, but the rest of the programme can’t match it Doug Letheren as Director of the Complex in Revisor (photo: Michael Slobodian) Choreographer Crystal Pite and playwright Jonathan Young have collaborated previously on two productions, Betroffenheit for Pite’s company, Kidd Pivot, and The Statement for Nederlands Dance Theatre. In an interview for the Jacob’s Pillow Archives in 2012, Pite talked about naming her company. Acclaimed Canadian choreographer Crystal Pite premieres her new ballet with the National Ballet of Canada on Feb. 29. Pite chose vocal works in part because they are tied so irrevocably to the body. The show is preceded by a 15-minute talk by the Crystal Pite and the creative team IT WAS ONLY a year ago, but it now feels like a world away from our pandemic lock-in. A prime example is “Body and Soul,” an evening-length work by Canadian superstar choreographer Crystal Pite that she made for the illustrious Paris Opera Ballet in 2019. Crystal Pite in rehearsal for 2004's Double Story. “The ballet world is completely different,” says Touré of her experience, “but Crystal has a way she moves her body, the tension, the energy. Collapse . “The ballet world is completely different,” says Touré of her experience, “but Crystal has a way she moves her body, the tension, the energy. -choreography Crystal Pite-dramaturgy Jonathan Young-music Owen Belton-Dansers : Roger Van der poel, Aram Hasler, Jonathan Bond, Rena Narumi. Lost Action - Crystal Pite, 2009. She is an Associate Artist at three institutions: Nederlands Dans Theater, Sadler’s Wells, London, and Canada’s National Arts Centre. But understanding emergence has always been about giving up control, letting the system govern itself as much as possible, letting it learn from the footprints.” Choreography Crystal Pite Staging Sandra Marín Garcia Scenic Design Jay Gower Taylor Costume Design Nancy Bryant Lighting Design Alan Brodie Duration 32 minutes Premiere April 22, 2010; Nederlands Dans Theater Pacific Northwest Ballet Premiere November 3, 2017. After the unanimously acclaimed premiere of The Seasons’ Canon in 2016, Crystal Pite is reuniting with the dancers of the Paris Opera Ballet for a series of sixty‑minute performances divided up into as many choreographed sequences. All eight episodes are available to stream online now, with individual episodes broadcasting weekly each Friday at 8:30pm (9pm NT) on CBC. Legendary Canadian choreographer Crystal Pite shows In the Making’s Sean O’Neill how she approaches building phrases in her choreography. “It was so simple,” she admits, talking about the time she turned on the record player as a toddler and rehearsed a dance to My Little Red Wagon. Speechless … Betroffenheit at Sadler’s Wells, London. In her home base of Vancouver, Pite runs the company Kidd Pivot; this is where she and Touré spent time discovering new corners in choreography. Photo by Michael Slobodian. Crystal Pite’s choreographies are characterised by both strength and softness, flowing and staccato movements, the gentle interaction of the dancers as well as abrupt collisions. The central image of Parade is a parade of clowns, and a marching band. Pite has the ability to turn these intimate conversations of limbs into something fresh, or sublime or crushingly real – like the man desperately chasing a woman, who when he finally gets her attention, can find nothing to say to her (from 2008’s Ten Duets on a Theme of Rescue). Crystal Pite is known as one of the most innovative and exciting choreographers at work in Canada today. Crystal Pite and Jonathon Young’s Betroffenheit is the kind of work where by the time the interval comes, you’re still not exactly sure what you’re watching, and by the time it finishes, you’re speechless. IMPORTANTAfter purchasing your ticket, your link will be emailed and can be used to access the performance from February 17 to 23, 2021, on one device at the time of your choosing. Share . PARADE – CRYSTAL PITE. “It’s the most important thing for me,” she told me a few years ago. 5 Angels’ Atlas won two Dora Mavor Moore Awards in 2020: Crystal Pite for Outstanding New Choreography and Jay Gower Taylor for Outstanding Achievement in Design. She began her career in choreography at age three. The subject matter in itself carries enormous emotional clout, but it’s the craft that elevates this piece to genius levels. … Its metronomic musicality and geometrical shapes were virtually new to the Paris audience. Whether that is mirroring the structure of Gorecki’s music in Flight Pattern (2017), getting behind Shakespeare’s text in The Tempest Replica (2011), responding to an article she has read or a conversation she’s had, or collaborating with dancers on the creation of material. Premieres her new Ballet with the Nederlands Dans Theater, creating nine new works House,.. Evening solely dedicated to the forces and forms of nature for her most recent production,,. 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